Le Flop

There are quite a few shows every year which can't be categorised in the traditional sense of the Fringe programme. If you add enough physical theatre to your show, can it sneak into a different section? If you make a couple of jokes, is it comedy? Le Flop didn't seem to know what it was doing, and to be honest, I didn't either. Some genuinely funny moments were set against scenes of pure bafflement from the audience, as we wondered what exactly the point was of one member of the troupe strutting around the stage playing with his nipple-hair. 

A string of unconnected scenes, characters who couldn't even convince themselves and a storyline that petered out halfway through the show really gave us nothing to come away with

Don't get me wrong: to start with, this was hilarious. The black hole character, apparently improvised out of an old bedsheet, gathered a few laughs to start with. But after one extended dance number too many, one storyline too few, and more pointless, throwaway characters than you can shake a stick at, all we could do was giggle nervously and wonder what exactly it was we were watching.

The effect was that of watching a group of kids perform a play they'd made up this morning. To start with, the thrown-together feel was charming - our performers brimming with confidence, and the whole feel light-hearted and brave. We're going to watch a love story unfold between an idealistic King and a wild princess - what could go wrong? But a string of unconnected scenes, characters who couldn't even convince themselves and a storyline that petered out halfway through the show really gave us nothing to come away with. What was the point? Where was this going? What the hell was that Head, Shoulders, Knees and Toes bit about? Some may enjoy this particular brand of surrealism for surrealism's sake, and the addition of the word 'clowning' to their advertising will give you an idea of their style, but this was a style, and a show, with very little substance to it.  

Reviews by Jenni Ajderian

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★★★
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★★★
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★★★★
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★★★★
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★★★★

Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

Location

The Blurb

Five international fools with silliness fizzing in their stomachs are here to give you a night you won’t forget - especially if you have a sharp memory. ‘An absurd hour of vibrant clowning which totally won over the audience … gloriously silly’ (Argus). ‘These guys are pure idiots, imaginative and totally out there’ (Doctor Brown, Foster's Award Winner). ‘Expressive, strange, hilarious’ (OneStopArts.com). After sell-out appearances on the Brighton and Prague Fringes, Le Flop now debut their unique brand of stupidity in Edinburgh.

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