In-be-tween

Imagine trying to get somewhere in a hurry, when all of a sudden you get stuck behind someone who’s walking painfully slowly. You try to get round them, towards your destination, but you’re trapped – you’re not getting there before they do. That’s what it feels like watching Elena Molinaro’s In-Be-Tween. There are some good ideas here – you’re sure – and you’re trying to find them, but the performer is moving so agonisingly slowly that you’re fidgeting, frustrated and wishing she’d get a move on.

It’s worth noting that this is more performance art than a dance show. The studio is set up like a gallery, with Molinaro moving between the installations and interacting with them as the audience follow her. More often than not, her interactions involve causing herself physical pain – be that clipping clothes pegs onto her abdomen or banging her head against a wall to affix pieces of paper. There are some interesting ideas in her actions: the clothes pegs, for example, all have names written on them, so when attached to her body they seem to represent the performer’s difficult relationships with these individuals.

She is very professional as she performs, never wincing at the pain she is in or seeming self-conscious at the fact that she is naked except for her shoes, but Molinaro must need an awful lot of willpower to stay focused. It’s not exactly a riveting show – at times it verges on ridiculous. The clothes pegs might be an interesting concept, but when she’s attaching thirty-three of them, in what seems like slow motion, you’ve got to laugh or you’ll expire with the boredom. Molinaro writes in the programme that her ‘slow and repetitive actions… create a sense of temporal suspension’. They don’t. They create a desperate wish for her to get on with it.

Ultimately, this show can’t be redeemed by its high-concept ideas or the performer’s professionalism. It’s all very well creating cerebral performance art, but not if it means a dull show. Molinaro seems to assume that because her show is intellectual, it doesn’t have to be engaging.

Reviews by Hannah Mirsky

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

When the human condition is conceived as fragmented and haunted by an unavoidable sense of solitude, the body becomes a site of transformation, a liminal space where the borders between in and out, subject and object are blurred.

Most Popular See More

The Book of Mormon

From £24.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets