State of Flux’s Forgetting Natasha explores the sensitive subject of dementia through a combination of dance, digital media and spoken word. In collaboration between director Heather Eddington, writer Anna Mae Selby and projection artists KMA, the work charts Natasha’s struggle to retain her memories of life’s most precious moments. While sections are touching, the show itself remains largely unmemorable. The multimedia aspect is well-conceived. Light boxes, projected onto a mesh screen at the front of the stage, emerge then disappear throughout the production to catch and border flashbacks. This successful motif frames the memories whilst highlighting their remote and fleeting nature. Also of note is the beautiful synchronicity achieved between dancer and digital art when, at one point, tiny particles of light explode from the tip of the performer’s grand battement. These specks appear as fragments of memories that flit around, never taking concrete form. Both the textual and dance elements are less remarkable. All three performers deliver their speeches with confidence and display great control in their movements, but the piece lacks any real depth of feeling. The script receives no hint of nuance in its presentation, whereas the choreography itself offers nothing innovative for the dancers to work with. Forgetting Natasha is a solid example of the ongoing developments occurring in cross-disciplinary performance. Although it may leave you cold, it certainly hints at the possibilities that the digital age offers.