Everyman

What would you do if Death dropped by one day to tell you that you have been chosen to represent all of humanity before God the Almighty and you realised that your record so far might not be the best? That’s exactly what happens to Everyman, a selfish idiot loaded with money but short of friends, in this highly entertaining performance set to explore just what makes us all human - unique, but alike at the same time.

The show, because this genuinely is a performance with a high show factor, opens up with a musical number entitled ‘Seven Things That Make Us The Same’. No.1 is Death, which is where our story starts. God asks his loyal servant Death to choose someone to represent humanity before him and he picks Everyman. Short on time, Everyman must go on a quest to find someone who can accompany him on his journey but to nobody’s surprise, volunteers for this kind of pilgrimage are hard to find especially if all you have done in your life is gather wealth and reject your friends and family. As Everyman’s desperation increases, Death draws closer, allowing both Everyman himself and the audience to see just how little material possessions matter when facing the Almighty.

This is nothing short of a wonderful production, high on laughs, yet with a subtle seriousness to it that only enhances the overall feeling of perfection. Kerry Frampton is fantastic in her part as Everyman, as are Nikki Warwick and Scott Gilmour in filling the parts of the remaining characters. In mixing elements from theatre, musicals, cabarets and sketch comedy, the talented cast leaves the audience roaring with laughter as they run about stage, trying to save Everyman from facing Death and his final judgment alone.

The combination of a wonderfully witty script, a great storyline and superb acting makes this an all-round joyous experience. The musical numbers are great and the actors skillfully include the audience in their performance through what can only be described as a perfect amount of improvisation. However, despite the silliness, the show has a darker and more serious undertone. This is beautifully communicated both in the beginning and towards the end, as the three performers quietly starts singing, ‘There is one certainty, one certain certainty, and that certain certainty is death’, reminding us all that Everyman’s journey is inevitably one we all have to take.

Reviews by Lene Korseberg

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

The Blurb

An ordinary man is chosen to represent all humanity to God. It’s a shame he’s such an idiot! A high-energy, super-theatrical, surprisingly silly exploration of what makes us human. ‘Magnificent’ **** (ThreeWeeks). **** (BritishTheatreGuide.info).

Most Popular See More

Frozen the Musical

From £36.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets