Eating Seals and Seagulls' Eggs

Eating Seals and Seagulls’ Eggs is a poetic telling of Ireland's ‘most hated woman’ – Peig Sayers. It skilfully uses multimedia in the form of period-appropriate screens, radios and projections.

An enthralling journey through Peig’s life, exploring Irish folklore, storytelling tradition, tribalism and cultural homogenisation.

Caitríona Ní Mhurchú plays Peig as well as having conceived this piece. She is completely believable in the role, invoking this earthy, visceral portrayal of Peig with consistently strong acting. We find ourselves more or less on Peig’s side throughout the story due to Mhurchú’s charismatic performance. The moments of Gaelic interstrewn with the yarn-spinning only add to the storytelling and atmosphere. The story brings out the strong side of this character without overdoing it – a positive feminist strand coming through the piece without resorting to the simplicity of a plate-fed moral.

Louise Lewis plays the teller of Peig’s story and sets the historical context with the aid of the entrancing bank of old television sets and projector. She works well with Mhurchú to summon up the impression of Peig’s life and the life of the Blasket Islanders among whom she lived. Lewis occasionally loses the truthfulness of the storytelling, but is always quick to regain the initiative and bring us back in.

The piece is an enthralling journey through Peig’s life, exploring Irish folklore, storytelling tradition, tribalism and cultural homogenisation. At times it drags, but only for brief moments before the skill of the performers bring us back in. Well worth a watch for anyone interested in any of these subjects or just looking to be told a fascinating story by some accomplished artists.

Reviews by Dixon Baskerville

Underbelly, Cowgate

Christeene: Trigger

★★★★
C venues - C south

The Fool

★★★★
Greenside @ Infirmary Street

Buzz: A New Musical

★★★★
theSpace on the Mile

Bit of Sunshine

★★★★
Pleasance Dome

Police Cops

★★★
Underbelly Med Quad

The Starship Osiris

★★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Eating Seals and Seagulls’ Eggs. Dublin Fringe sell-out. About Ireland's most hated woman. And being a fish out of water. In your own country. This is a show about nationality, language and loneliness, drawing on autobiography, archive and rare film footage. A poetic slice of documentary theatre. A taboo-busting multimedia tsunami from award-winning collaborators performer-writer Caitríona Ní Mhurchú and visual artist Adam Gibney with original sound from rocker collective Bird in Snow. 'This is a show of national interest. A great piece of work. I was mesmerised from start to finish' (Arena RTÉ Radio 1).

Most Popular See More

Wicked

From £25.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets