Brendon Burns, Home Stretch Baby

Brendon Burns is forty-one. The home stretch of his show’s title is the realisation that, at his age, he can let go of a lot of baggage and feel comfortable in his maturity. But for God’s sake, don’t expect that this premise means he’s going to take it easy or, for that matter, go easy on his audience.

Few people combine such dexterous and dense ideas with as much flat-out rage as Burns. Seeing him in full flow is like watching an argument between a wrestler and an academic trapped in one body. This makes his choice to turn his ferocious delivery to topics which could easily be addressed by a safer comedian - the increasing preposterousness of a bad-boy reputation at forty, the sight of forty-somethings rocking out through backache at an AC/DC gig, even a segment about his love of Masterchef – a canny step for such an uncompromising comedic intelligence. Pushed into territory that others tread with cosy familiarity, he still retains a power to shock, to generate belly laughs, and to have the audience hanging on the complexity of his material. Walkouts and sage nods were equally balanced. A riff on internet porn partly yelled into the faces of the more perturbed in the crowd suddenly transforms into an extended tale of a teen sex-worker desperate to reconnect with an absent father. In one moment, Burns hijacks the cathartic rush used to defend ‘shock’ comedy and uses it as a springboard for emotionally charged musings about deep-seated fears and uncertainties.

However Burns’ no-nonsense style side-steps the accusation of using comedy for therapy. The rush he gives an audience shows an incredibly energetic mind at work, even when his energies are not fully converted into an idea. Moments that seem less successful, such as his railing at an online detractor, occasionally leave his ire a little directionless. However, this is a small price to pay for the sublime moments when rage and emotional power click together. As he describes his reconciliation with his dying father, through a resolutely unsimplified evocation of Burns Sr.’s scientific mindset, his ferociousness is at one with a raw, unguarded intensity that unveils deep-seated and uncomfortable truths. Better yet, that bit even has a punchline. The audience breathe a sigh of relief and burst into laughter at the same time.

Reviews by Adam Lebovits

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Edinburgh Comedy Award winner 2007 and world-renowned cult comic returns to Edinburgh with a brand new show. Book early. Will sell out. ***** (Times). ***** (Guardian). ***** (TimeOut). ***** (Telegraph).

Most Popular See More

The Book of Mormon

From £24.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets