Bat Boy

Durham University Light Opera Group’s (DULOG) show is an unexpectedly touching coming of age story juxtaposed with moments of raucous insanity. The musical tells the tall-tale of a boy born with bat features deep in America’s Bible Belt and his struggles for acceptance. Adopted into the home of a small town vet, the Bat Boy finds love, but is still constantly confronted by hostility from the townsfolk, leading to an almost inevitable confrontation.

Despite the overarching theme of the dangerous consequences of intolerance, the production manages to both touch you and make you laugh. The script successfully pokes fun at a society that endorses Christian charity but condemns anyone who steps outside the norm, yet the scenes relating to religion and to sex are some of the most memorable and funny in the musical.

The standout performance came from the Bat Boy himself who created a stunning physicality for the feral creature we initially meet and managed to maintain something alien in his movements and mannerisms even after his ascent to civilisation. The other characters were well developed and, though clearly representing many stereotypes, were handled well by all the cast. Considering the ease with which this show could have edged into pantomime, this acting skill was vital and allowed a surprising amount of empathy for the motley group of main characters, from lustful teens to the impressively rational sheriff. Indeed, a scene with Mrs Parker attempting to communicate with the Bat Boy in his own language was wonderfully tender while also having everyone in stitches.

Musically Bat Boy is an extremely strong production, with a small but tight band and not one let down among the singers. Standout vocal performances were from Mrs Parker, Rick and Bat Boy each of whom demonstrated excellent range. Unfortunately the main criticism of the show is a musical one. Though the musicians were very talented their volume levels were far too high, meaning that the audience struggled to hear most of the lyrics. While this did not hamper the enjoyment of the show, it was a consistent problem and one that could easily be addressed in later performances. There were also some issues with vocal projection from almost all actors, notable exceptions being the Sherriff and Dr and Mrs Parker.

However, DULOG have put together a skilled team and succeeded in creating something raucous, hilarious and compelling. Take your seat with few expectations because this musical is unlike any other I have seen.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Don't miss out on this year's mocky-horror extravaganza! A half-boy half-bat is discovered in a small American town. Will he ever fit in? DULOG returns to the Fringe after last year's hit. 'Outstanding' ***** (WhatsOnStage.com). www.dulog.org.uk.

Most Popular See More

Matilda the Musical

From £24.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets