Alternative Comedy Memorial Society (ACMS)

A keen observer may initially notice that Thom Tuck and John Luke Roberts, who host ACMS together, aren’t exactly a traditional double act. However if anything their bizarre on-stage chemistry creates the perfect platform from which to launch the cult night of experimental fringe comedy. The audience, usually at least half composed of ACMS regulars, are lulled into open-minded excitement even before the introduction of the first in a series of unconventional acts, despite Thom inciting them within minutes of starting to join him in repeatedly chanting the word “xenophobia”.

A delight through and through

The experimental nature of the night means there are naturally mixed responses to each act, but on their opening night Andy Daly, who delivered a vague but perfectly structured stand-up routine about something, was a firm favourite. Lucy Pearman and Deanne Fleysher as Butt Kapinski were also both fantastic, each doing edited excerpts from their shows which heavily featured audience interaction elements. Ahir Shah had a strong start, however quickly petered out as his short set seemed more about proving how clever he was than actually being clever, and Joz Norris, an ACMS standard, had an uncharacteristically weak set.

Though the night went well, with a supportive audience and acts who were willing to be interesting, it was dampened in the second half by Thom Tuck who was either too drunk or too caught up in overplaying his drunkenness. John Luke Roberts seemed genuinely exasperated as acts were awkwardly introduced and Thom broke a mic stand, eventually storming off-stage to awkward confusion from the crowd and Thom. Despite Bec Hill’s helpful suggestion at that point to introduce the next, and final, act, Tiernen Douieb couldn’t recover the stubborn tension in the room. Thankfully an impromptu return of Sh!t Theatre’s Louise Mothersole and Rebecca Biscuit as Pizza, Paul and Mary mumbling a sing-along version of Islands in the Stream saved the night from ending inelegantly in unsure silence.

ACMS is invaluable as an opportunity for performers to try something different and for audiences to see something out of the ordinary; when Thom Tuck can rein in his behaviour, it’s a delight through and through. The permitted heckles are as enjoyable for the acts as the audience, ranging from “We appreciate what you’re trying to do!” to “I drew you a cat,” (which must be accompanied by a drawing of a morally good cat), and along with the cry of “a noble failure” after each act has finished help foster the friendly environment that makes the night such a pleasure. If you’re tired of the usual fare of stand-up at the fringe, ACMS is definitely a night worth heading to.

Reviews by Chris Shapiro

Underbelly Med Quad

Elf Lyons: Swan

★★★★★
The Stand Comedy Club 3 & 4

Eleanor Morton: Angry Young Woman

★★★
Heroes @ Monkey Barrel

Alternative Comedy Memorial Society (ACMS)

★★★★
Pleasance Courtyard

Rose Matafeo: Sassy Best Friend

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

The ACMS returns to Edinburgh like a fetid Petri dish teeming with innovative bacterial comedy. Join the cavalcade of sparkling nonsense and watch us wave our cakes at the sky. Hosted by the least traditional double-act money can rent – Thom Tuck and John-Luke Roberts – containing too many guest acts, i.e. ‘dozens of the bastards’ (Chortle.co.uk). All we can hope for is failure, noble failure! ‘Might not work’ (Time Out). ‘The best policy is to sit’ (BeyondTheJoke.co.uk). ‘Rucksack’ (BroadwayBaby.com). ‘Relative sobriety’ (ThreeWeeks). ‘Bunch of knuckleheads’ (Tony Law). ‘A man shaved off his beard’ (Guardian).

Most Popular See More

Wicked

From £25.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets