aLOne – Loren O'Brien

It all begins with a suicide threat. Loren O’Brien is all alone. Her sketch partner, Amy, has abandoned her. ‘She was the funny one’, apparently. ‘I can’t do comedy’, she reveals. From the outset she’s tentative, stumbling her way through audience interactions, unsure what to do or where to begin. But her attempts at keeping those expectations low are unfounded; you can already tell that her awkwardness is probably some of the funniest you’ve ever seen.

More often than not, her undeniable charm allows you to forgive the filth and succumb to the hilarity of the situation.

A one-woman sketch comedy show ensues. How can that possibly work, logistically or figuratively? Well, O’Brien says she’ll give the show a go by herself and you’re suddenly relieved Amy’s gone AWOL. Immediately you’re nothing short of transfixed. And not even because she manages to unwittingly smudge the dye from a blue M&M across her face.

This show is a triumph of multi-tasking. O’Brien plays all the characters, flitting between American, English and Irish accents, between present day and flashbacks with pace, ease and finesse. Her delivery is faultless. Even when it’s supposed to go wrong, where she’s ‘forgotten the next bit’, you feel safe in the knowledge that her inadequacy is purely a well-oiled act.

We learn about all of her misgivings, a persona probably a little too real to be entirely fictional. We rocket from dating dilemmas to Irish grandmothers, from sexual exploits to pigeon-related violence. The dynamism and stamina of this woman is remarkable. Not once does the energy drop, not once do you lose interest.

The initial vulnerability is soon replaced by crudity. ‘You’ve just got to climb the dick ladder’, O’Brien maintains. But more often than not, her undeniable charm allows you to forgive the filth and succumb to the hilarity of the situation. A particular story of defecation comes to mind, but there’s plenty more where that came from.

aLOne is a brilliant debut Fringe performance. Grab a couple of wines, take a friend or five and revel in the freshness of this incredibly talented lady. 

Reviews by Sarah Gough

Pleasance Courtyard

Loren O'Brien: Who?

★★★★
Gilded Balloon at the Counting House

Ed Gamble: Stampede

★★★★
Greenside @ Nicolson Square

Alice and the Dream Child

Just the Tonic at The Community Project

Mothers

★★★
The Stand Comedy Club 5 & 6

Lost Voice Guy: Disability for Dunces Volume Two

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Loren and Amy are sketch partners, but they've had a falling out. Loren would do stand-up, but she's not very funny, Amy is. Will Amy turn up? Or will Loren do sketch comedy: aLOne. Solo sketch comedy. Comedy for the people who have no friends. 'Close to perfection ... you'd have to search high and low to find a comedy show of this calibre... Masterfully written and performed and genuinely leaves you wanting more' ***** (TheNewCurrent.co.uk). Winner: Pick of the Week at Vault Festival 2015.

Most Popular See More

Matilda the Musical

From £24.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

SIX

From £39.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets