Adventures in Menstruating with Chella Quint
  • Edinburgh Fringe

For everything you never knew you needed to know about periods, theres science comedian and sex educator Chella Quint. As heard on BBC Radio 4s A Bleeding Shame and Womans Hour, Chella deconstructs menstrual stigma with wit, craftivism and brute force, joyfully inviting audiences to hang ten on a crimson wave. Taboo-breaking period comedy for menstruators and non-menstruators of all genders. 'Funny and endearing... a clever comic' (BroadwayBaby.com). 'This show shouldnt just be on at the Fringe, it should be on the curriculum' **** (ThreeWeeks). www.chellaquint.com #periodpositive

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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