Another year, another series of words that shouldnt be followed by the musical: The Musical. Nine times out of ten these are just gimmicky shows with the sole aim of getting people in and making money (as if anybody in Edinburgh makes money). And A-Team: The Musical is not the one exception.Gareth Kane (book, lyrics, star and producer) freely admits to being a huge A-Team fan since his schooldays and thats the biggest problem with this show. The jokes are the product of the kind of slavish devotion that might entertain other A-Team fans, but not a general audience. And even then, most of the jokes are so tired that the best they could have done with them is a three-minute sketch that wouldnt be out of place in a student comedy revue. The real irony is that the comedy derived from the TV show (the car chases, the gunfights, the explosions) cant, by its very nature, translate to stage but that doesnt seem to have stopped Kane from trying.Then theres the misnomer of this show being called a musical. I counted five songs, one of which was essentially just the original theme to the TV show. The music is unadventurous and occasionally pre-recorded, the lyrics are weak and an ill-informed rap number left the audience feeling awkward rather than entertained if the strained applause is anything to go by.Generally speaking, the cast is nothing special. Vincent Jerome does a fine Mr T impression and Matt Addis Colonel Decker is clearly a lot of fun to play. But theres very little chemistry on stage and no-one has any give with the material to turn around and do something interesting with their part.This is the kind of show one expects to see students performing for their friends in the back room of a pub; it would be funny because the audience would know the cast. But here, at one of Edinburghs most prestigious venues, its got more ham and cheese than a croque-monsieur and none of the flavour. This is possibly entertaining for fans of the show as dedicated as Kane clearly is, but otherwise youll love it when the plan comes together
but for all the wrong reasons.
In 1972 a crack commando unit was sent to prison by a military court for a crime they didnt commit. These men promptly escaped from a maximum security stockade into the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem...If no-one else can help...And if you can find them
Maybe you could hire the A-Team
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Making its world wide premiere at the Edinburgh Festival A Team The Musical explodes onto the stage at the Gilded Balloon for the entire month of August. Written by Gareth Kane and directed by Joss Bennathan, this is a must see show.
Fans of the A-Team can expect all the elements of the TV show - lots of action and adventure with the added bonus of songs (Music by Jethro Linley) and lots more laughter. Welcome back Hannibal, Face, Murdock and BA Baracus!
In the small town of Hill-Rock Tawnia Roberts is being pressurised by the Jacksons to pay protection money or face ruin. There is no alternative but to hire the best in the business the A Team. With Colonel Decker on their tail, the team are sent in to defeat the Jacksons and make Hill-Rock a safer place to live. The odds are against them. The Jacksons are heavily armed, someone has murdered Murdocks invisible dog Billy, and BA aint getting on no plane. To make matters worse the A Team are then captured and locked away with no possible way of escaping
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Gareth Kane (Writer) - trained as an actor at Alra. He has worked as an actor in leading roles at The Globe Theatre, West Yorkshire Playhouse and Soho Theatre. In 2006 he co-founded one of the UK's leading improvised comedy groups, Scratch. In the same year he co-created The Reduced Edinburgh Fringe Impro Show which has sold out at Edinburgh for three years and has toured the UK. He has appeared as a comedian on ITV2 at the Brit awards and on BBC1 on 'Call Me Graham Norton' and has recently finished filming his regular role as Dave in 'Ross Lees Ghoulies' for Nickelodeon. He makes his debut as a writer at the Edinburgh Festival this year with A-Team the Musical, in which he stars as John Hannibal Smith.
Joss Bennathan (Director) - is Artistic Director of Present Moment, for whom he has directed The Country Wife (Time Out critics choice) and The Revenger's Tragedy, both at the Bridewell, The Alchemist (Top 5 critics choice Independent) at Riverside Studios and Volpone at Wiltons Music Hall. As assistant director, he worked on Neil Bartletts Olivier nominated production of Pericles at the Lyric Hammersmith and with Jude Kelly on Johnson Over Jordan at West Yorkshire Playhouse. He has directed award winning comedy duo, Laurence and Gus for two sell-out Edinburgh shows, A History Of The World In Five and a Half Sketches and Men In Love, both of which transferred to Soho Theatre and have subsequently been adapted for Radio 4. Other comedy shows directed for Edinburgh and beyond include Field Study (2007) and Miles Jupps Lost and Lonely Rebels (2005). His sketches for late on Radio 4 were performed by the likes of Paul Merton, Richard Wilson, Julian Clary, Meera Syal and Liz Smith.