Tik-sho-ret (‘communication’) Theatre Company have achieved their manifesto of giving a platform to Israeli and Jewish theatre. After a short run in London, they’ve come to Edinburgh with
The play strikes a good balance between showcasing Israeli culture and remaining accessible to a non-Jewish audience.
The simple staging allows us to move swiftly through the locations of Gur’s journey, and the cast use direct address and visible costume changes to remind us that they are actors relaying a tale of true(ish) events. Their outlandish and somewhat stereotypical characters betray the realism expected of a ‘true story’, but the comedy is sustained by witty nuances in the script.
The cast is strong, with Michal Banai and Shai Forester showcasing their versatility with an array of distinct characters. Forester’s depiction of a bitter Israeli taxi driver is genial, and Banai is hilarious as the grandfather when he embodies a prostitute in the midst of pleasuring Gur. Spencer Cowan is a sheer joy to watch in his role as the excitedly camp academic, whose power to rewrite the grandfather’s legacy allows him to barter for sexual favours (a mildly jarring plot choice delivered with taste). Gur Koren plays himself with ease. His character makes for a rather dull protagonist, but the richness of the others offers space for normalcy at the centre of this story.
The play strikes a good balance between showcasing Israeli culture and remaining accessible to a non-Jewish audience. It earns our attention as the concept is strong, but the play shies away from a darkness in the grandfather’s past which would add gravity to the play’s importance and offset the humour nicely. As it is, 5 Kilo Sugar is a sweet, nostalgic play and I look forward to seeing what Tik-sho-ret produce in the future.