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The Book of Mormon

The Book of Mormon

“The Book of Mormon is viciously funny. Spirited and refreshing; joyous and even cuddly. Its defining feature is a filthy irreverence – an infatuation with making fun of everything, including itself.”
The Evening Standard - Henry Hitchings

“Foul-mouthed, funny and wild. Terrifically entertaining.”
Metro - Claire Allfree

“An unstoppable hit. Damnably clever and sharp.”
Daily Telegraph - Charles Spencer

“I absolutely loved it. Continue Reading

Alice\'s Adventures in Wonderland

Alice's Adventures in Wonderland

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real.

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Cavalleria/Pagliacci

Cavalleria/Pagliacci

Pietro Mascagni’s Cavalleria rusticana (Rustic Chivalry) and Ruggero Leoncavallo’s Pagliacci (The Players) are today Italian opera’s most famous double act, but they were written independently. Cavalleria rusticana came first, its hugely successful premiere in 1890 doubtless an influence on Leoncavallo. His Pagliacci in 1892 was another triumph. The two works, each undeniable masterpieces of the verismo tradition of realism, share dramatic concision, melodic richness and an Continue Reading

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